Synthesizer Vocoder
Synthesizer Vocoder
 |
US $379.00
Alright, thanks for coming back for my next installment in this article series concerning audio effects. In the past few weeks we have covered quite a few commonly used effects, such as reverb, delay, flange, and compression. These effects all have wide scopes of usage, and are probably used on a daily basis in most modern recording studios, on a wide range of different musical styles. We were discussing the basic functionality of each effect, leaving you to decide if and how you would end up using it in your own production process.
Today we'll be moving on to a couple of other types of effects, which are probably less used that the others we've talked about. Don't let that fact deter you from reading any further, as these two effects; vocoder and auto-tune, are both very flexible and powerful tools for you to add to your studio arsenal. So, please strap on your learning cap and follow me.
Vocoder
The vocoder (its name being derived from "voice encoder") is a speech analyzer and speech synthesizer. It was originally created for use as a speech coder for the telecommunications industry in the 1930s. It was used for secure radio communication, where voice has to be digitized, encrypted and then transmitted on a narrow, voice-bandwidth channel. The way that the vocoder works is that is finds the basic carrier wave that the human voice produces. This carrier wave is at the fundamental frequency (the lowest frequency in a harmonic series). Is is then measured how its spectral characteristics are changed over time by recording someone speaking. This results in a series of numbers representing these modified frequencies at any particular time as the user speaks. To recreate speech, the vocoder simply reverses the process, creating the fundamental frequency in an oscillator, then passing it through a stage that filters the frequency content based on the originally recorded series of numbers. For musical applications, a source of musical sounds (such as a guitar) is used as the carrier, instead of extracting the fundamental frequency. The vocoder is famous for creating robotic sounding voices, and has been used in film to create; surprisingly, robot voices.
Auto-Tune
Auto-Tune is used for correcting pitch in vocal and instrumental performances. It works by employing digital signal processing algorithms (many which are drawn from the geophysical industry) to continuously detect the pitch of a
periodic input signal and changes it to a desired pitch. The harmonization is intended to increase the musical quality of a vocal track without revealing the singing as processed. This works well in a studio environment to correct the performance of vocalists and musicians, after they have recorded their takes. It has also been widely used with extreme parameter values to create a distinct electronic vocal sound.
This wraps up the 5th installment in the DiskFaktory Mastering article series on audio effects. Today we covered a couple of the more fun to work with effects, in my opinion. I myself have learned quite a bit writing today's article, and I hope you feel the same way. Now we're much better prepared to create a symphony of robot voices.
Jason Cole and DiskFaktory Mastering offer great professional mastering services and information regarding audio engineering and CD mastering in California. Get the professional cd mastering information you are seeking now by visiting diskfaktory-mastering.com/evaluation.htm
|
|
Korg MicroKORG Synthesizer/Vocoder $359.99 Korg MicroKORG Synthesizer/Vocoder |
|
|
Korg Microkorg Synthesizer/Vocoder $399.99 Korg MicroKORG Synthesizer/Vocoder |
|
|
Korg R3 Synthesizer / Vocoder Keyboard $599 Korg R3 Synthesizer / Vocoder Keyboard |
|
|
Used Korg Micro Synthesizer/Vocoder $249.99 In Store Used USED KORG MICRO SYNTHESIZER/VOCODER |
|
|
Used Korg R3 Vocoder Synthesizer $419.99 In Store Used USED KORG R3 VOCODER SYNTHESIZER |
|
|
Korg R3 Synthesizer / Vocoder Keyboard 889406770768 $509.15 Korg R3 Synthesizer / Vocoder Keyboard 889406770768 |
|
|
Korg R3 Synthesizer / Vocoder Keyboard Regular 886830298707 $299.5 Korg R3 Synthesizer / Vocoder Keyboard Regular 886830298707 |
|
|
Korg R3 Synthesizer / Vocoder Keyboard 889406776241 $509.15 Korg R3 Synthesizer / Vocoder Keyboard 889406776241 |
|
|
Used Korg Microkorg Synthesizer/Vocoder Excellent Condition $249.99 In Store Used USED KORG MICROKORG SYNTHESIZER/VOCODER EXCELLENT CONDITION |
|
|
Used Korgmicrokorg Synthesizer/Vocoder 37 Keys $239.99 In Store Used USED KORGMICROKORG SYNTHESIZER/VOCODER 37 KEYS |
|
|
Used 03/19/12 Roland Vp-770 Synthesizer/Vocoder $1499.99 In Store Used USED 03/19/12 ROLAND VP-770 SYNTHESIZER/VOCODER |
|
|
Korg R3 37-Key Synthesizer and Vocoder $599 The R3 is an affordable, full-fledged synthesizer providing sophisticated synthesis and advanced sound creation. Compact and light-weight, the R3 offers 37 full-size, velocity sensing keys - along with two-timbre/eight-voice performance power. Using the acclaimed MMT (Multiple Modeling Technology) derived from Korg's RADIAS, the R3 delivers thick, gutsy, and crisp analog sounds. More than a performance synthesizer, the R3 is an audio workhorse. The vocoder allows Formant Motion recording to recreate complex vocoder effects without relying on the microphone input. External audio processing, powerful arpeggiation and Modulation Sequencing open the door to complex groove creation. The scribble-strip displays provide accurate editing information. Amplifier Drive, Waveshaping, Virtual Patching and Motion Record open the door to powerful synthesis techniques. Built-in effects (both insert and master), two-band EQ and the Pitch and Mod wheels deliver a finishing touch. Plug-in/Stand-alone edi |
|
|
Korg microKorgXL 37-Key Synthesizer and Vocoder $499.99 Meet the latest addition to the Korg microFAMILY. Multi Modeling Synthesis (MMT); dual KAOSS derived effects porcessors; 16-band vocoder hot-rodded with Formant Hold and Formant Shift functions - microKORG XL has it all. An all-new natural-touch keyboard has been completely redesigned for improved articulation, and the re-proportioned, blunt-nose keys add enhanced playability. The microKORG XL includes a gooseneck vocoder mic, free downloadable editing package, MIDI and USB connections, and operates on battery power or an adapter for musicians on the go! Two grab-and-go knobs provide instant access to 128 editable programs, and the easy-to-read display makes editing a snap. |
|
|
Refurbished Korg Microkorg Synthesizer/Vocoder $359.99 With 37 keys and 128 user-rewritable programs, the Korg MicroKORG Synthesizer/Vocoder is perfect for the musician looking for a serious yet affordable synthesizer. It provides powerful synthesis with the same dual-oscillator DSP synthesis engine found in the MS2000, and offers a wider selection of waveforms than most other modeled synths. It also has an 8-band vocoder with many advanced features, a full range of effects, and a flexible arpeggiator. 2 audio inputs let you process other instruments through it. Also serves as a compact MIDI controller. Comes with its own microphone.Powerful synthesis The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settingsrouting the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc.and you have performance that is unheard of from a synthesizer in this price range!Classic vocoding The microKORG includes an 8-band vocoder with many advanced features. You can capture and "freeze" the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.A full range of effects Three types of modulation effects (chorus/flanger, phaser, ensemble), three types of delay effects (stereo, cross, L/R), and a two-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clocka great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.Great sounds and expression Korg has used all of the microKorg's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the lat |
|
|
Used Korg R3 37 Key Vocoder/Synthesizer Synth 9.0 051612 394 $399.99 In Store Used USED KORG R3 37 KEY VOCODER/SYNTHESIZER SYNTH 9.0 051612 394 |
|
|
Korg R3 Synthesizer / Vocoder Keyboard 889406770768 $509.15 The Korg R3 is powered by the MMT (Multiple Modeling Technology) analog synthesis-modeling sound engine and delivers 2-timbre/8-voice performance in an easy-to-use 37-key 'board. 128 programs deliver crucial synth sounds from leads and pads to strings and percussion with 2 oscillators, 3 envelope generators, 2 filters, an amp section, effects, and a noise generator available for each voice. In addition to the vocoder which works with the onboard mic input, it has a modulation sequencer for precision 16-step control of modulation movement.MMT synthesisThe versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation).Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) produces white noise, and provides a useful way to create breath noise for wind instrument sounds, or to produce evocative sound effects. The sawtooth wave and pulse wave use the same basic low-aliasing design as the AL-1 Analog Synthesizer found in Korg's flagship OASYS synthesizer.Two filters with selectable routingThe R3 features a dual filter structure that can be configured in series, parallel or an individual structure allowing each oscillator to have its own dedicated filter. Filter 1 is a multi-mode resonant design that lets you continuously vary between various low-pass, high-pass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes.Amp section with a Drive/Waveshaping circuitThe Drive circuit lets you create the subtle yet distinctive distortion typical of an analog synthesizer, or generate new overtones by deeply overdriving the sound. The Waveshaping circuit gives you twelve types of transformation including hard clipping, and can be used as a decimator to produce typically digital roughness by converting the sampling frequency. It can even be used as a sub-oscillator, opening up new sound-making possibilities. The Drive/Waveshaping circuit can be placed either before the amp section or immediately before Filter 1 to give you different nuances of sound. With additional |
|
|
Korg R3 Synthesizer / Vocoder Keyboard 889406776241 $509.15 The Korg R3 is powered by the MMT (Multiple Modeling Technology) analog synthesis-modeling sound engine and delivers 2-timbre/8-voice performance in an easy-to-use 37-key 'board. 128 programs deliver crucial synth sounds from leads and pads to strings and percussion with 2 oscillators, 3 envelope generators, 2 filters, an amp section, effects, and a noise generator available for each voice. In addition to the vocoder which works with the onboard mic input, it has a modulation sequencer for precision 16-step control of modulation movement.MMT synthesisThe versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation).Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) produces white noise, and provides a useful way to create breath noise for wind instrument sounds, or to produce evocative sound effects. The sawtooth wave and pulse wave use the same basic low-aliasing design as the AL-1 Analog Synthesizer found in Korg's flagship OASYS synthesizer.Two filters with selectable routingThe R3 features a dual filter structure that can be configured in series, parallel or an individual structure allowing each oscillator to have its own dedicated filter. Filter 1 is a multi-mode resonant design that lets you continuously vary between various low-pass, high-pass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes.Amp section with a Drive/Waveshaping circuitThe Drive circuit lets you create the subtle yet distinctive distortion typical of an analog synthesizer, or generate new overtones by deeply overdriving the sound. The Waveshaping circuit gives you twelve types of transformation including hard clipping, and can be used as a decimator to produce typically digital roughness by converting the sampling frequency. It can even be used as a sub-oscillator, opening up new sound-making possibilities. The Drive/Waveshaping circuit can be placed either before the amp section or immediately before Filter 1 to give you different nuances of sound. With additional |
|
|
Refurbished Korg R3 Synthesizer / Vocoder Keyboard $549 The Korg R3 is powered by the MMT (Multiple Modeling Technology) analog synthesis-modeling sound engine and delivers 2-timbre/8-voice performance in an easy-to-use 37-key 'board. 128 programs deliver crucial synth sounds from leads and pads to strings and percussion with 2 oscillators, 3 envelope generators, 2 filters, an amp section, effects, and a noise generator available for each voice. In addition to the vocoder which works with the onboard mic input, it has a modulation sequencer for precision 16-step control of modulation movement.MMT synthesisThe versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation).Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) produces white noise, and provides a useful way to create breath noise for wind instrument sounds, or to produce evocative sound effects. The sawtooth wave and pulse wave use the same basic low-aliasing design as the AL-1 Analog Synthesizer found in Korg's flagship OASYS synthesizer.Two filters with selectable routingThe R3 features a dual filter structure that can be configured in series, parallel or an individual structure allowing each oscillator to have its own dedicated filter. Filter 1 is a multi-mode resonant design that lets you continuously vary between various low-pass, high-pass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes.Amp section with a Drive/Waveshaping circuitThe Drive circuit lets you create the subtle yet distinctive distortion typical of an analog synthesizer, or generate new overtones by deeply overdriving the sound. The Waveshaping circuit gives you twelve types of transformation including hard clipping, and can be used as a decimator to produce typically digital roughness by converting the sampling frequency. It can even be used as a sub-oscillator, opening up new sound-making possibilities. The Drive/Waveshaping circuit can be placed either before the amp section or immediately before Filter 1 to give you different nuances of sound. With additional |
|
|
Used Korg R3 Synthesizer / Vocoder Keyboard 889406770768 $509.15 The Korg R3 is powered by the MMT (Multiple Modeling Technology) analog synthesis-modeling sound engine and delivers 2-timbre/8-voice performance in an easy-to-use 37-key 'board. 128 programs deliver crucial synth sounds from leads and pads to strings and percussion with 2 oscillators, 3 envelope generators, 2 filters, an amp section, effects, and a noise generator available for each voice. In addition to the vocoder which works with the onboard mic input, it has a modulation sequencer for precision 16-step control of modulation movement.MMT synthesisThe versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation).Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) produces white noise, and provides a useful way to create breath noise for wind instrument sounds, or to produce evocative sound effects. The sawtooth wave and pulse wave use the same basic low-aliasing design as the AL-1 Analog Synthesizer found in Korg's flagship OASYS synthesizer.Two filters with selectable routingThe R3 features a dual filter structure that can be configured in series, parallel or an individual structure allowing each oscillator to have its own dedicated filter. Filter 1 is a multi-mode resonant design that lets you continuously vary between various low-pass, high-pass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes.Amp section with a Drive/Waveshaping circuitThe Drive circuit lets you create the subtle yet distinctive distortion typical of an analog synthesizer, or generate new overtones by deeply overdriving the sound. The Waveshaping circuit gives you twelve types of transformation including hard clipping, and can be used as a decimator to produce typically digital roughness by converting the sampling frequency. It can even be used as a sub-oscillator, opening up new sound-making possibilities. The Drive/Waveshaping circuit can be placed either before the amp section or immediately before Filter 1 to give you different nuances of sound. With additional |
|
|
Used Korg R3 Synthesizer / Vocoder Keyboard 889406776241 $509.15 The Korg R3 is powered by the MMT (Multiple Modeling Technology) analog synthesis-modeling sound engine and delivers 2-timbre/8-voice performance in an easy-to-use 37-key 'board. 128 programs deliver crucial synth sounds from leads and pads to strings and percussion with 2 oscillators, 3 envelope generators, 2 filters, an amp section, effects, and a noise generator available for each voice. In addition to the vocoder which works with the onboard mic input, it has a modulation sequencer for precision 16-step control of modulation movement.MMT synthesisThe versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation).Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) produces white noise, and provides a useful way to create breath noise for wind instrument sounds, or to produce evocative sound effects. The sawtooth wave and pulse wave use the same basic low-aliasing design as the AL-1 Analog Synthesizer found in Korg's flagship OASYS synthesizer.Two filters with selectable routingThe R3 features a dual filter structure that can be configured in series, parallel or an individual structure allowing each oscillator to have its own dedicated filter. Filter 1 is a multi-mode resonant design that lets you continuously vary between various low-pass, high-pass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes.Amp section with a Drive/Waveshaping circuitThe Drive circuit lets you create the subtle yet distinctive distortion typical of an analog synthesizer, or generate new overtones by deeply overdriving the sound. The Waveshaping circuit gives you twelve types of transformation including hard clipping, and can be used as a decimator to produce typically digital roughness by converting the sampling frequency. It can even be used as a sub-oscillator, opening up new sound-making possibilities. The Drive/Waveshaping circuit can be placed either before the amp section or immediately before Filter 1 to give you different nuances of sound. With additional |